http://www.gsaradio.stream Music is meant to ignite our emotions—so if we hear it yet feel nothing, isn’t that a missed opportunity? Through a series of engaging conversations, enriched with musical examples, I want to introduce you to a new way of experiencing music—one that uncovers how it stirs the soul and evokes deep emotions. Let me be your guide on this journey to a more profound and immersive way of listening. Music en Sun, 02 Mar 2025 18:49:02 +0200 Mon, 20 Oct 2025 22:30:00 +0200 30 http://blogs.law.harvard.edu/tech/rss iono.fm 2.5.2.0 GaySA Radio no Brian Bekker Weekly feeds@iono.fm (Feed Manager) https://cdn.iono.fm/files/p322/logo_9182_20250905_210033_1400.jpeg http://www.gsaradio.stream Musicismeanttoigniteouremotions—soifwehearityetfeelnothing,isn’tthatamissedopportunity? Throughaseriesofengagingconversations,enrichedwithmusicalexamples,Iwanttointroduceyoutoanewwayofexperiencingmusic—onethatuncovers... GaySA Radio episodic GaySA Radio info@gaysaradio.co.za false ZA https://iono.fm/e/1609298 https://iono.fm/e/1609298
Few instruments have as much personality as the bassoon. With its long wooden body and curling metal crook, it looks slightly eccentric — and sounds gloriously human. The bassoon can laugh and sigh, sing tenderly or mutter in comic complaint. Its voice bridges the warmth of the cello and the wit of the oboe, making it both a storyteller and a clown, often in the same breath.

Composer Work Notes
Danzi, Franz (1763–1826) Bassoon Concerto in F major, Op. 4 Cheerful, Mozartean Classicism with graceful melodies and sparkling runs. The opening Allegro is bright and buoyant, the Andante lyrical and tender, and the Polacca finale dances with effortless elegance.

Winter, Peter von (1754–1825) Bassoon Concerto in C minor A work of late Classical poise tinged with Romantic feeling. The minor tonality adds drama, while the slow movement offers warmth and poise before a spirited finale. Refined, expressive, and unjustly neglected.

Elgar, Edward (1857–1934) Romance in D minor, Op. 62 A gentle English reverie – wistful, tender, and quietly noble. Elgar’s short piece treats the bassoon as a singer rather than a jester, full of lyrical phrasing and subtle harmonic colour.

Saint-Saëns, Camille (1835–1921) Sonata for Bassoon and Piano, Op. 168 – I. Allegro moderato Elegant and charming, with that unmistakable French lightness. Written late in life, Saint-Saëns distilled a lifetime of Classical grace into this poised, melodious movement.

Håkansson, Patrik (b. 20th c.) Konzertstück for Bassoon and Orchestra A lyrical and harmonically warm modern work that honours the bassoon’s expressive tradition. Engaging and noble in tone, it affirms the instrument’s rightful place as a true solo voice rather than the orchestra’s clown. Franz Danzi (1763–1826) - Bassoon Concerto in F major, Op. 4 Performed by László Hara with the Liszt Ferenc Chamber Orchestra, Budapest, conducted by Ervin Lukács · Franz Danzi (1763–1826) - Bassoon Concerto in F major, Op. 4 Performed by László Hara with the Liszt Ferenc Chamber Orchestra, Budapest, conducted by Ervin Lukács · Franz Danzi (1763–1826) - Bassoon Concerto in F major, Op. 4 Performed by László Hara with the Liszt Ferenc Chamber Orchestra, Budapest, conducted by Ervin Lukács · Peter von Winter (1754–1825) - Bassoon Concerto in C minor Performed by László Hara with the Liszt Ferenc Chamber Orchestra, Budapest, conducted by Ervin Lukács · Peter von Winter (1754–1825) - Bassoon Concerto in C minor Performed by László Hara with the Liszt Ferenc Chamber Orchestra, Budapest, conducted by Ervin Lukács · Peter von Winter (1754–1825) - Bassoon Concerto in C minor Performed by László Hara with the Liszt Ferenc Chamber Orchestra, Budapest, conducted by Ervin Lukács · Edward Elgar (1857–1934) - Romance in D minor, Op. 62 Performed by Graham Sheen and the BBC Symphony Orchestra conducted by Andrew Davis · Camille Saint-Saëns (1835–1921) - Sonata for Bassoon and Piano, Op. 168 Performed by Klaus Thuneman and Ricazrdo Requejo · Camille Saint-Saëns (1835–1921) - Sonata for Bassoon and Piano, Op. 168 Performed by Klaus Thuneman and Ricazrdo Requejo · Camille Saint-Saëns (1835–1921) - Sonata for Bassoon and Piano, Op. 168 Performed by Klaus Thuneman and Ricazrdo Requejo · Franz Berwald (1796 -1868) - Konzertstück for Bassoon and Orchestra Performed by Patrik Hakansson with the Gavle Symphony Orchestra, conducted by Petri Sakari]]> Music Mon, 20 Oct 2025 13:54:00 +0200 0 0 Programme 117 Double Reed, Double Delight – Concertos for Bassoon 0 0 Brian Bekker full 1:04:16 About Music https://iono.fm/e/1606592 https://iono.fm/e/1606592 Last week we listened to the Oboe, a double reed instrument with a bright treble penetrating sound. It is the familiar voice of the family. There are two more family members.

The oboe d’amore, pitched lower in A, has a warmer, more intimate, pastoral sound — favoured by Baroque composers like Bach.

The cor anglaise or English Horn, pitched in F, is larger and darker, with a rich, melancholy tone often compared to an alto voice.
Together, they offer composers a remarkable range of expressive possibilities.

Today we will listen to the Cor Anglais, which is also known as the “English Horn”. I have five works for your enjoyment.

This programme moves beautifully from Classical grace (Bedetti, Donizetti) through Romantic lyricism (Sibelius) to expressive modernity (Stacy) and pastoral English orchestral writing (Vaughan Williams).

Composer (Surname, Forenames) Title Descriptor
Bedetti, Giuseppe Concerto for English Horn (F major) Classical elegance with clear lines and graceful phrasing — a stylish opening from this rarely heard 18th-century work.

Donizetti, Gaetano Concerto for Cor Anglais in G minor Tuneful bel canto writing and a warm Classical-Romantic blend make this concerto an ideal companion to Bedetti.

Sibelius, Jean The Swan of Tuonela, Op. 22 No. 3 The quintessential cor anglais solo — haunting, atmospheric, and deeply evocative.

Rochberg, George (Thomas Stacy) Perpetual Motion (from the Concerto for English Horn) A single movement excerpt showcasing the instrument’s agility and modern brilliance, while remaining accessible.

Vaughan Williams, Ralph A London Symphony, II. Lento A long, elegiac cor anglais solo at the heart of this movement crowns the programme with lyrical depth and English melancholy. Guiseppi Ferlendes English Horn Concerto in F Major Performed by Marino Bedetti with the orchestra G. Ferlendes conducted ny PierAngelo Pelucchi · Gaetano Donizetti - Cor Anglais Concerto in G Minor_ Andante con Variationi Performed by László Kovács with the Camerata Budapest · Jean Sibelius, - The Swan of Tuonela, Op. 22, No. 3 (From Lemminkäinen Suite) Performed by Carolyn Hove and the Basler Symphony Orchestra conducted by Esa-Pekka Salonen · George Rochberg - Concerto for English Horn and Orchestra_ IV. Perpetual Motion Performed by Thomas Stacy, Ned Rorem, Michael Palmer and the Rochester Philharmonic Orchestra · Ralph Vaughan Williams - Symphony No. 2, A London Symphony_ II. Lento Performed by the London Symphony Orchestra conducted by Bryden Thomson]]> Music Sun, 12 Oct 2025 18:31:00 +0200 0 0 Programme 116 – Cor Anglais: Classical Roots and Romantic Voices 0 0 Brian Bekker full 59:51 About Music https://iono.fm/e/1604171 https://iono.fm/e/1604171
In our exploration of the woodwind instruments of the orchestra, we have listened to members of the flute family, which are all played by blowing air across or into an opening, and members of the single reed family, which have a single reed that vibrates against a mouthpiece. These were the clarinet and the saxophone.

We come now to the double reed instruments, oboe, cor anglaise, and bassoon. Double reed instruments feature reeds with two pieces of cane that vibrate against each other when a musician blows against them.
Today we begin with the oboe, which has a bright penetrating sound, and is the instrument to which the rest of the orchestra must tune their instruments.

The oboe is a very old instrument, whose roots go back to ancient reed instruments like those of Egypt and Mesopotamia, as well as the Greek aulos and Roman tibia.

For our listening pleasure I have four concertos today.
Please remember to listen for the standard concerto features with each concerto:

A lively opening movement, usually lead by the orchestra, a slow and lyrical second movement, and a third movement called a Rondo which features a recurring theme. Any or all of the movements may have solo passages, called cadenzas where the soloist may show their ability. Albinoni, Tomaso: Oboe Concerto in D minor, Op. 9 No. 2 Performed by Heinz Holliger with I Musici conducted by Maria Teresa Garatti · Albinoni, Tomaso: Oboe Concerto in D minor, Op. 9 No. 2 Performed by Heinz Holliger with I Musici conducted by Maria Teresa Garatti · Albinoni, Tomaso: Oboe Concerto in D minor, Op. 9 No. 2 Performed by Heinz Holliger with I Musici conducted by Maria Teresa Garatti · Marcello, Alessandro - Oboe Concerto in D Minor, S. Z799 Performed by Heinz Holliger, with I Musici · Marcello, Alessandro - Oboe Concerto in D Minor, S. Z799 Performed by Heinz Holliger, with I Musici · Marcello, Alessandro - Oboe Concerto in D Minor, S. Z799 Performed by Heinz Holliger, with I Musici · Rosetti, Antonio - Oboe Concerto No. 3 in C Major, C. 29_III_32 Performed by Kurt Meier with the Zürich Chamber Orchestra conducted by Johannes Moesus · Rosetti, Antonio - Oboe Concerto No. 3 in C Major, C. 29_III_32 Performed by Kurt Meier with the Zürich Chamber Orchestra conducted by Johannes Moesus · Rosetti, Antonio - Oboe Concerto No. 3 in C Major, C. 29_III_32 Performed by Kurt Meier with the Zürich Chamber Orchestra conducted by Johannes Moesus · Williams, Ralph Vaughan - Concerto for oboe and strings in A Minor Performed by Nicholas Daniel with the Britten Sinfonia · Williams, Ralph Vaughan - Concerto for oboe and strings in A Minor Performed by Nicholas Daniel with the Britten Sinfonia · Williams, Ralph Vaughan - Concerto for oboe and strings in A Minor Performed by Nicholas Daniel with the Britten Sinfonia]]> Music Sun, 05 Oct 2025 18:18:00 +0200 0 0 Easy Listening Oboe Concertos – Programme 115 0 0 Brian Bekker full 1:08:00 About Music https://iono.fm/e/1599230 https://iono.fm/e/1599230 Deep Sounds_ Soprano Sax Jazz Music Collection · Richard Rodney Bennet - Soprano Saxophone Sonata_ I. Poco allegro Performed by John Harle and John Lenehan · A Taste of Jazz: Smooth Sax Jazz Music Collection · Jules Demersseman - Fantaisie sur un thème original Performed by Fabien Chouraki and Christophe Grasser · Richard Rodney Bennett - Samba Triste (From Three Piece Suite) Performed by John Harle · Jean-Baptiste Singelée - Tenor Saxophone Concerto, Op. 57 Performed by Claude Delangle and Odile Delangle · Paul-Agricole Génin - Variations sur un theme espagnol Performed by Claude Delangle and Odile Delangle · Johann Sebastian Bach - Suite No. 1 in G Major, BWV 1007_ I. Prelude and Gigue Performed by Henk van Twillert · Johann Sebastian Bach - Suite No. 1 in G Major, BWV 1007_ I. Prelude and Gigue Performed by Henk van Twillert · Gustav Holst: Jupiter –The Planets Japan Large Saxophone Ensemble Summit 11 · Antonio Vivaldi - Winter - The four seasons Performed by Ensemble de saxophones de Strasbourg (2015) · Maurice Ravel - Pavane pour une infante défunte Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Gabriel Fauré - Pie Jesu from Requiem, Op. 48 Performed by Branford Marsalis with the Orpheus Chamber Orchestra]]> Music Fri, 19 Sep 2025 17:33:00 +0200 0 0 About Music – The Art of Listening with Brian Programme 114 – Saxophone Showcase 0 0 Brian Bekker full 1:00:31 About Music https://iono.fm/e/1597273 https://iono.fm/e/1597273
The saxophone is one of the youngest members of the woodwind family. Invented in the 1840s by the Belgian instrument maker Adolphe Sax, it combines the single reed mouthpiece of the clarinet with the brass body of a trumpet. This hybrid design gives the saxophone its unique timbre — bright yet mellow, capable of both singing warmth and commanding brilliance.

Today’s programme traces the saxophone’s entry into the concert hall — from Glazunov’s Romantic warmth to Ibert’s sparkling wit, to Creston’s rhythmic vitality. Each composer found in the instrument a voice both noble and playful, at once classical and modern.
The saxophone has inspired some striking works in the concert repertoire. Today we hear three of the most important.

Alexander Glazunov – Concerto in E-flat major for Alto Saxophone and String Orchestra, Op. 109 (1934)
Jacques Ibert – Concertino da camera for Alto Saxophone and Orchestra (1935)
Paul Creston – Concerto for Alto Saxophone and Orchestra, Op. 26 (1941) Alexander Glazunov - Concerto for Saxophone and String Orchestra in E flat major, Op.109 Performed by Václav Smetáček and the Symfonický orchestr hl. m. Prahy FOK · Jacques Ibert - Concertino da camera for Alto Saxophone and Orchestra Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Jacques Ibert - Concertino da camera for Alto Saxophone and Orchestra Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Jacques Ibert - Concertino da camera for Alto Saxophone and Orchestra Performed by Branford Marsalis with the Orpheus Chamber Orchestra · Paul Creston - Saxophone Concerto, Op. 26 Performed by Claude Delangle with the Swedish Wind Ensemble conducted by Christian Lindberg · Paul Creston - Saxophone Concerto, Op. 26 Performed by Claude Delangle with the Swedish Wind Ensemble conducted by Christian Lindberg · Paul Creston - Saxophone Concerto, Op. 26 Performed by Claude Delangle with the Swedish Wind Ensemble conducted by Christian Lindberg · Heitor Villa-Lobos - Bachianas Brasileiras No. 5 Performed by Branford Marsalis and the English Chamber Orchestra conducted by Andrew Litton]]> Music Mon, 15 Sep 2025 09:31:00 +0200 0 0 About Music – The Art of Listening with Brian - Programme 113. 0 0 Brian Bekker full 1:00:18 About Music https://iono.fm/e/1594755 https://iono.fm/e/1594755
Carl Stamitz – Clarinet Concerto No. 3 in B-flat major (c. 1770s)
Louis Spohr – Clarinet Concerto No. 1 in C minor, Op. 26 (1808)
Aaron Copland – Clarinet Concerto (1948) written for jazz legend Benny Goodman, and in our recording, played by Bennie Goodman.
Across these three concertos we hear the clarinet’s astonishing adaptability: elegant and poised in Stamitz, Romantic and dramatic in Spohr, and jazz-infused yet lyrical in Copland.

Together, they reveal the clarinet as an instrument capable of inhabiting many voices, from Classical grace to Romantic passion to modern freedom. Carl Stamitz- Clarinet Concerto No. 3 in B-Flat Major Performed by Sabine Meyer with the Academy of St. Martin in the Fields conducted by Iona Brown · Carl Stamitz- Clarinet Concerto No. 3 in B-Flat Major Performed by Sabine Meyer with the Academy of St. Martin in the Fields conducted by Iona Brown · Carl Stamitz- Clarinet Concerto No. 3 in B-Flat Major Performed by Sabine Meyer with the Academy of St. Martin in the Fields conducted by Iona Brown · Louis Spohr - Clarinet Concerto No. 1 in C minor, Op. 26 Performed by Emma Johnson with the English Chamber Orchestra conducted by Gerard Schwarz · Louis Spohr - Clarinet Concerto No. 1 in C minor, Op. 26 Performed by Emma Johnson with the English Chamber Orchestra conducted by Gerard Schwarz · Louis Spohr - Clarinet Concerto No. 1 in C minor, Op. 26 Performed by Emma Johnson with the English Chamber Orchestra conducted by Gerard Schwarz · Aaron Copland - Concerto for Clarinet and String Orchestra (with Piano and Harp) Performed by Benny Goodman and the Columbia Symphony Orchestra. The conductor is not named. · Malcolm Arnold - Sonatina for clarinet and piano, Op. 29 (1951) 3. Furioso Performed by Emma Johnson and Malcolm Martineau ]]> Music Sun, 07 Sep 2025 15:01:00 +0200 0 0 About Music – The Art of Listening with Brian Clarinet Concertos – Part Two. 0 0 Brian Bekker full 59:59 About Music https://iono.fm/e/1587471 https://iono.fm/e/1587471 In recent programmes we explored the flute, one of the oldest and most enduring of instruments. Today, we continue our journey through the woodwind family.

The woodwinds form four main branches:
• Flutes, where sound is made by blowing across or into a hole.
• Clarinets and Saxophones, which use a single reed vibrating against a mouthpiece.
• Oboes and Cor anglais, using a double reed — two blades of cane vibrating against each other.
Bassoons and Contrabassoons, the lower-pitched members of the double reed family.

Today we will look specifically at the Clarinet family, using these compositions:

Wolfgang Amadeus Mozart - Clarinet Concerto in A Major, K. 622
Carl Maria von Weber - Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 118
and
Gabriel Pierné – Canzonetta, Op. 19

Happy listening! Wolfgang Amadeus Mozart - Clarinet Concerto in A Major, K. 622 Performed by Sabine Meyer with the Kammerorchester Basel conducted by Giovanni Antonini · Wolfgang Amadeus Mozart - Clarinet Concerto in A Major, K. 622 Performed by Sabine Meyer with the Kammerorchester Basel conducted by Giovanni Antonini · Wolfgang Amadeus Mozart - Clarinet Concerto in A Major, K. 622 Performed by Sabine Meyer with the Kammerorchester Basel conducted by Giovanni Antonini · Carl Maria von Weber - Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 118 Performed by Martin Fröst with the Tapiola Sinfonietta conducted by Jean-Jacques · Carl Maria von Weber - Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 118 Performed by Martin Fröst with the Tapiola Sinfonietta conducted by Jean-Jacques · Carl Maria von Weber - Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 118 Performed by Martin Fröst with the Tapiola Sinfonietta conducted by Jean-Jacques · Gabriel Pierné – Canzonetta, Op. 19 Performed by Philippe Berrod and Claire Désert ]]> Music Mon, 18 Aug 2025 06:45:00 +0200 0 0 About Music – The Art of Listening with Brian Programme 111 0 0 Brian Bekker full 59:33 About Music https://iono.fm/e/1585025 https://iono.fm/e/1585025
Carl Philipp Emanuel Bach – Flute Concerto in G Major, Wq. 169
Performed by Emmanuel Pahud and the Kammerakademie Potsdam, conducted by Trevor Pinnock

C.P.E. Bach’s G Major Concerto showcases the expressive intensity of the empfindsamer Stil. Emmanuel Pahud’s nuanced playing brings a refined sensitivity to the slow movement and a sparkling energy to the outer movements. Trevor Pinnock and the Kammerakademie offer historically informed support with clarity and poise.
Antonio Vivaldi – Flute Concerto in D Major, RV 428 'Il gardellino'
Performed by Emmanuel Pahud and the Australian Chamber Orchestra, conducted by Richard Tognetti

This vivid and playful concerto imitates the song of the goldfinch. Pahud’s performance is full of lively articulation and shimmering tone, especially in the bird-like figures of the outer movements. The Australian Chamber Orchestra provides an agile and expressive accompaniment.
Matthias Ziegler – Ballade
Performed by Matthias Ziegler

A contemplative work for solo bass or contrabass flute, 'Ballade' explores the rich sonority and lyrical potential of the instrument. Ziegler’s performance brings out the voice-like phrasing, subtle overtones, and flowing shapes that characterize this meditative piece.

Joseph Bodin de Boismortier – Concerto for Five Flutes, Op. 15 No. 6 (Second Movement)
Performed by Jacques-Antoine Bresch, Jocelyn Daubigney, Anne Savignat, Vincent Touzet, and Jan de Winne

The second movement of this delightful concerto highlights Boismortier’s flair for graceful melody and elegant ensemble writing. The five baroque flutes create a lush, transparent texture with subtle interweaving lines and delicate ornamentation.
Johann Sebastian Bach – Brandenburg Concerto No. 4 in G Major, BWV 1049

Performed by the Berliner Philharmoniker, conducted by Herbert von Karajan

Bach’s Fourth Brandenburg Concerto features two recorders and solo violin in a joyful, contrapuntal interplay. In this grand orchestral interpretation, the balance between soloists and full strings is rich and festive, showcasing the work’s rhythmic vitality and sophisticated textures. Carl Philipp Emanuel Bach - Flute Concerto in G Major, Wq. 169 Performed by Emmanuel Pahud and the Kammerakademie Potsdam conducted by Trevor Pinnock · Carl Philipp Emanuel Bach - Flute Concerto in G Major, Wq. 169 Performed by Emmanuel Pahud and the Kammerakademie Potsdam conducted by Trevor Pinnock · Carl Philipp Emanuel Bach - Flute Concerto in G Major, Wq. 169 Performed by Emmanuel Pahud and the Kammerakademie Potsdam conducted by Trevor Pinnock · Antonio Vivaldi - Flute Concerto in D Major, Op. 10 No. 3, RV 428 Il gardellino Performed by Emmanuel Pahud and the Australian Chamber Orchestra conducted by Richard Tognetti · Antonio Vivaldi - Flute Concerto in D Major, Op. 10 No. 3, RV 428 Il gardellino Performed by Emmanuel Pahud and the Australian Chamber Orchestra conducted by Richard Tognetti · Antonio Vivaldi - Flute Concerto in D Major, Op. 10 No. 3, RV 428 Il gardellino Performed by Emmanuel Pahud and the Australian Chamber Orchestra conducted by Richard Tognetti · Matthias Ziegler – Ballade Performed by Matthias Ziegler · Joseph Bodin de Boismortier – Concerto for Five Flutes, Op. 15 No. 6 Second movement Performed by Jacques-Antoine Bresch, Jocelyn Daubigney, Anne Savignat, Vincent Touzet, and Jan de Winne · Johann Sebastian Bach - Brandenburg Concerto No. 4 in G Major, BWV 1049 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Johann Sebastian Bach - Brandenburg Concerto No. 4 in G Major, BWV 1049 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan · Johann Sebastian Bach - Brandenburg Concerto No. 4 in G Major, BWV 1049 Performed by the Berliner Philharmoniker conducted by Herbert von Karajan ]]> Music Sun, 10 Aug 2025 17:29:00 +0200 0 0 Programme 110 – Concertos for Flute and Recorder 0 0 Brian Bekker full 1:00:47 About Music https://iono.fm/e/1582926 https://iono.fm/e/1582926 Georg Philipp Telemann – Concerto for Recorder & Flute in E Minor, TWV 52:e1
Performed by Michael Schneider (recorder) and Karl Kaiser (flute) with La Stagione Frankfurt

This double concerto exemplifies Telemann’s elegant integration of contrasting timbres. The recorder and flute engage in melodic dialogue, each instrument playing to its strengths—agility in the recorder, and expressive line in the flute. The performance by Schneider and Kaiser with La Stagione Frankfurt captures the Baroque warmth and graceful character of this gem.
Antonio Vivaldi – Piccolo Concerto in C Major, RV 443
Performed by William Bennett with the Academy of St Martin in the Fields, conducted by Sir Neville Marriner

One of the earliest and best-known concertos for piccolo flute, RV 443 is a bright and virtuosic work. William Bennett’s interpretation brings clarity and joy to Vivaldi’s bird-like trills and agile runs, especially in the dazzling outer movements. The slow middle movement offers a lyrical respite, showing the piccolo’s unexpected sweetness.
Saverio Mercadante – Flute Concerto in E minor
Performed by Andrea Griminelli with the English Chamber Orchestra, conducted by Jean-Pierre Rampal

Mercadante’s concerto marries bel canto expressiveness with orchestral richness. In Griminelli’s performance, the flute sings with operatic warmth and technical precision, particularly in the lyrical second movement. Rampal’s conducting draws out the Romantic elegance and forward momentum of this Italian masterwork.
Wil Offermans – Forbidden Valley
Performed by Wil Offermans and flute ensemble Piacere

This atmospheric work uses key clicks, vocal sounds, and ensemble coordination to create a mysterious sonic landscape. Inspired by Eastern musical aesthetics and contemporary technique, the piece invites listeners into an imaginative, ‘forbidden’ world of layered flutes and subtle textures.
Wil Offermans – Kurokami Love (Made in Japan)
Performed by Wil Offermans on Flute Day in Stavanger, Norway

Based on a traditional Japanese melody, this solo uses whisper tones, microtonal inflection, and breath effects to evoke a sense of longing and stillness. Offermans’ performance blends simplicity and sophistication, offering a meditative close to the programme. Georg Philipp Telemann - Concerto for Recorder & Flute in E Minor, TWV 52_e1 Performed by Michael Schneider, Karl Kaiser with La Stagione Frankfurt · Georg Philipp Telemann - Concerto for Recorder & Flute in E Minor, TWV 52_e1 Performed by Michael Schneider, Karl Kaiser with La Stagione Frankfurt · Georg Philipp Telemann - Concerto for Recorder & Flute in E Minor, TWV 52_e1 Performed by Michael Schneider, Karl Kaiser with La Stagione Frankfurt · Georg Philipp Telemann - Concerto for Recorder & Flute in E Minor, TWV 52_e1 Performed by Michael Schneider, Karl Kaiser with La Stagione Frankfurt · Antonio Vivaldi - Piccolo Concerto in C Major, RV 443 Performed by William Bennett with the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Saverio Mercadante_ Flute Concerto in E minor Performed by Andrea Griminelli with the English Chamber Orchestra conducted by Jean-Pierre Rampal · Saverio Mercadante_ Flute Concerto in E minor Performed by Andrea Griminelli with the English Chamber Orchestra conducted by Jean-Pierre Rampal · Saverio Mercadante_ Flute Concerto in E minor Performed by Andrea Griminelli with the English Chamber Orchestra conducted by Jean-Pierre Rampal · Wil Offermans - Forbidden Valley Performed by Wil Offermans and flute ensemble Piacere · Wil Offermans - Kurokami Love (Made in Japan) Performed by Wil Offermans on Flute Day in Stavanger, Norway]]> Music Mon, 04 Aug 2025 12:03:00 +0200 0 0 Programme 109 Concertos for Flute and Recorder. 0 0 Brian Bekker full 1:01:45 About Music https://iono.fm/e/1578185 https://iono.fm/e/1578185
In the Woodwind section which will listen to next the four main groups of instruments are flute, oboe, clarinet and bassoon. However, each of these also has higher and lower pitched instruments.

We start with the flute, which in addition to the concert flute we all know, has a high pitched Piccolo, and lower pitched alto, bass, and contrabass flutes. The flute family also includes a corresponding range of Recorders, but these are unusual in the orchestra after the Baroque period.
Today we will listen to the concert flute and the recorder which are pitched in the mid-range.

I also would like to take the opportunity to remind you of some of the features of the concerto, a musical form that is designed to showcase and virtuoso performers with their particular instruments. Think of these as solo works with orchestral accompaniment.

Our works for today are:
Francesco Mancini: Recorder Sonata in E Minor
Carl Philipp Emanuel Bach: Flute Concerto in D Minor Wq. 22
Wolfgang Amadeus Mozart: Flute Concerto No. 1 in G Major, K. 313 Francesco Mancini: Recorder Sonata in E Minor Performed by Gudrun Heyens with Musica Antiqua Köln conducted by Reinhard Goebel · Francesco Mancini: Recorder Sonata in E Minor Performed by Gudrun Heyens with Musica Antiqua Köln conducted by Reinhard Goebel · Francesco Mancini: Recorder Sonata in E Minor Performed by Gudrun Heyens with Musica Antiqua Köln conducted by Reinhard Goebel · Francesco Mancini: Recorder Sonata in E Minor Performed by Gudrun Heyens with Musica Antiqua Köln conducted by Reinhard Goebel · Francesco Mancini: Recorder Sonata in E Minor Performed by Gudrun Heyens with Musica Antiqua Köln conducted by Reinhard Goebel · Carl Philipp Emanuel Bach: Flute Concerto in D Minor Wq. 22 Performed by Emmanuel Pahud with Kammerakademie Potsdam conducted by Trevor Pinnock · Carl Philipp Emanuel Bach: Flute Concerto in D Minor Wq. 22 Performed by Emmanuel Pahud with Kammerakademie Potsdam conducted by Trevor Pinnock · Carl Philipp Emanuel Bach: Flute Concerto in D Minor Wq. 22 Performed by Emmanuel Pahud with Kammerakademie Potsdam conducted by Trevor Pinnock · Wolfgang Amadeus Mozart: Flute Concerto No. 1 in G Major, K. 313 Performed by Emmanuel Pahud with the Berliner Philharmoniker conducted by Claudio Abbado · Wolfgang Amadeus Mozart: Flute Concerto No. 1 in G Major, K. 313 Performed by Emmanuel Pahud with the Berliner Philharmoniker conducted by Claudio Abbado · Wolfgang Amadeus Mozart: Flute Concerto No. 1 in G Major, K. 313 Performed by Emmanuel Pahud with the Berliner Philharmoniker conducted by Claudio Abbado ]]> Music Mon, 21 Jul 2025 12:04:00 +0200 0 0 “about Music – the Art of Listening”. Programme 108, Flute Concertos. 0 0 Brian Bekker full 59:47 About Music https://iono.fm/e/1575659 https://iono.fm/e/1575659 This is programme 12 in the sequence of music for String Instruments. In the prior 11 programmes we became thoroughly familiar with the sounds of the Violin, the Viola, the Violincello, and the Double Bass by listening to concertos and solo works written especially for these.

Today we bring these four instruments together in:
Benjamin Britten - Simple Symphony, Op. 4 where the string orchestra instrumentation includes first violins, second violins, violas, cellos, and double basses. The four movements have fanciful titles- Boisterous Bourrée, "Playful Pizzicato", Sentimental Saraband, and Frolicsome Finale.
Then in Franz Schubert - Piano Quintet in A Major, Op. 114, D 667 - The Trout which has five movements. The usual quick first movement Allegro vivace, followed as usual by the slow movement Andante, then the traditional Scherzo (Presto), The fourth movement is a set of variations on the Schubert’s own song "Die Forelle" (The Trout) Andantino – Allegretto, and we end with the Allegro giusto which is as usual for final movements, a Rondo. In addition to the String Instruments, there is a (very challenging!) part for Piano. Franz Schubert - Piano Quintet in A Major, Op. 114, D 667 - The Trout Performed by Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee & Maximilian Hornung and Roman Patkoló · Franz Schubert - Piano Quintet in A Major, Op. 114, D 667 - The Trout Performed by Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee & Maximilian Hornung and Roman Patkoló · Franz Schubert - Piano Quintet in A Major, Op. 114, D 667 - The Trout Performed by Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee & Maximilian Hornung and Roman Patkoló · Franz Schubert - Piano Quintet in A Major, Op. 114, D 667 - The Trout Performed by Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee & Maximilian Hornung and Roman Patkoló · Franz Schubert - Piano Quintet in A Major, Op. 114, D 667 - The Trout Performed by Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee & Maximilian Hornung and Roman Patkoló · Benjamin Britten - Simple Symphony, Op. 4 Performed by the English Chamber Orchestra conducted by Benjamin Britten · Benjamin Britten - Simple Symphony, Op. 4 Performed by the English Chamber Orchestra conducted by Benjamin Britten · Benjamin Britten - Simple Symphony, Op. 4 Performed by the English Chamber Orchestra conducted by Benjamin Britten · Benjamin Britten - Simple Symphony, Op. 4 Performed by the English Chamber Orchestra conducted by Benjamin Britten]]> Music Sun, 13 Jul 2025 13:03:00 +0200 0 0 Programme 107 Music for the full string ensemble. 0 0 Brian Bekker full 58:09 About Music https://iono.fm/e/1573434 https://iono.fm/e/1573434 In today’s programme I have three items which feature the Double Bass.
I must admit that the concerto I played last in the programme last Monday surprised me very pleasantly when I first heard it. I hope that you similarly enjoyed the concerto by Giovanni Bottesini, his Grande Concerto in Quattro Tempi for Two Double Basses. Therefore I thought that I would feature another of Bottesini’s works today. Bottesini has been called The Paganini of the double bass and also the 19th century's double bass champion. Today we will listen to Giovanni Bottesini – String Quintet No. 1: Gran Quintetto in C Minor Opus 99, which is in the usual four movements.

I am going to follow that up with only three of the five movements of Antonín Dvořák’s - String Quintet No. 2 In G Major, Op. 77, as the entire Quintet is a bit too long for our programme. We have the middle three movements of the five. The third movement, meaning the second one that we will listen to today is a playful Scherzo, and the other two are slower and heartfelt.

The third item today is a one-of-a-kind. A most unusual piece that is part speech, part composition, part improvisation. I thought it would make a complete break from our usual fare. You will quickly see what I mean. This item will end our programme, so please join me again on Thursday at 6 for Sundowner Classics. Let’s see what you make of this next item – I am sure you will enjoy it as much as the live audience did!
Gunther Schuller & Edwin Barker - Failing_ A Very Difficult Piece for String Bass (Live) Giovanni Bottesini – String Quintet No. 1: Gran Quintetto in C Minor Opus 99 Performed by I Musicanti with Leon Bosch · Giovanni Bottesini – String Quintet No. 1: Gran Quintetto in C Minor Opus 99 Performed by I Musicanti with Leon Bosch · Giovanni Bottesini – String Quintet No. 1: Gran Quintetto in C Minor Opus 99 Performed by I Musicanti with Leon Bosch · Giovanni Bottesini – String Quintet No. 1: Gran Quintetto in C Minor Opus 99 Performed by I Musicanti with Leon Bosch · Antonín Dvořák - String Quintet No. 2 In G Major, Op. 77 Performed by the Boston Symphony Chamber Players · Antonín Dvořák - String Quintet No. 2 In G Major, Op. 77 Performed by the Boston Symphony Chamber Players · Antonín Dvořák - String Quintet No. 2 In G Major, Op. 77 Performed by the Boston Symphony Chamber Players · Gunther Schuller & Edwin Barker - Failing_ A Very Difficult Piece for String Bass (Live) Performed by Edwin Barker]]> Music Mon, 07 Jul 2025 07:19:00 +0200 0 0 Programme 106 - More Music for Double Bass Programme 0 0 Brian Bekker full 1:01:47 About Music https://iono.fm/e/1570990 https://iono.fm/e/1570990
We have three of these for your enjoyment in the programme this week:
Carl Ditters von Dittersdorf – Concerto no 2 for Double Bass in D Major
Duration: ~20 minutes
Mood: Classical clarity, dance-like charm
Johann Baptist Vanhal – Concerto for Double Bass in D Major
Duration: ~18 minutes
Mood: Cheerful, balanced, elegant
Giovanni Bottesini – Grande Concerto in Quattro Tempi for Two Double Basses
Duration: ~24–28 minutes
Mood: Dramatic, virtuosic, operatic Carl Ditters von Dittersdorf – Concerto No. 2 for Double Bass in D Major Performed by Chi-chi Nwanoku and the Swedish Chamber Orchestra conducted by Paul Goodwin · Carl Ditters von Dittersdorf – Concerto No. 2 for Double Bass in D Major Performed by Chi-chi Nwanoku and the Swedish Chamber Orchestra conducted by Paul Goodwin · Carl Ditters von Dittersdorf – Concerto No. 2 for Double Bass in D Major Performed by Chi-chi Nwanoku and the Swedish Chamber Orchestra conducted by Paul Goodwin · Johann Baptist Vanhal – Concerto for Double Bass in D Major Performed by Chi-chi Nwanoku and the Swedish Chamber Orchestra conducted by Paul Goodwin · Johann Baptist Vanhal – Concerto for Double Bass in D Major Performed by Chi-chi Nwanoku and the Swedish Chamber Orchestra conducted by Paul Goodwin · Johann Baptist Vanhal – Concerto for Double Bass in D Major Performed by Chi-chi Nwanoku and the Swedish Chamber Orchestra conducted by Paul Goodwin · Giovanni Bottesini – Grande Concerto in Quattro Tempi for Two Double Basses Performed by Wolfgang Güttler and Klaus Stoll with the Radio-Symphonie-Orchester Berlin conducted by Mathias Bamert ]]> Music Sun, 29 Jun 2025 17:40:00 +0200 0 0 “about Music” Programme 105 : Double Bass Concertos. 0 0 Brian Bekker full 59:29 About Music https://iono.fm/e/1568850 https://iono.fm/e/1568850 In today’s programme we hear more music for that underappreciated instrument, the Viola.

This programme highlights how well the Viola combines with the Clarinet and also the Alto Voice.

Max Bruch: Eight Pieces for Clarinet, Viola, and Piano – Numbers 2, 6, 7, and 8
Franz Anton Hoffmeister: Concerto for Viola and Orchstra in D major
Johannes Brahms: Zwei Gesänge, Op. 91 - I. Gestillte Sehnsucht
Johannes Brahms: Zwei Gesänge, Op. 91- II. Geistliches Wiegenlied
and
Henri Vieuxtemps: Souvenir d'Amérique, Variations Burlesques (Yankee Doodle), Op. 17 Max Bruch: Eight Pieces for Clarinet, Viola, and Piano – Numbers 2, 6, 7, and 8 Performed by The Bruch Trio: Jerry Kirkbride, clarinet, Jesse Levine, viola, Rex Woods, piano · Max Bruch: Eight Pieces for Clarinet, Viola, and Piano – Numbers 2, 6, 7, and 8 Performed by The Bruch Trio: Jerry Kirkbride, clarinet, Jesse Levine, viola, Rex Woods, piano · Max Bruch: Eight Pieces for Clarinet, Viola, and Piano – Numbers 2, 6, 7, and 8 Performed by The Bruch Trio: Jerry Kirkbride, clarinet, Jesse Levine, viola, Rex Woods, piano · Max Bruch: Eight Pieces for Clarinet, Viola, and Piano – Numbers 2, 6, 7, and 8 Performed by The Bruch Trio: Jerry Kirkbride, clarinet, Jesse Levine, viola, Rex Woods, piano · Franz Anton Hoffmeister: Concerto for Viola and Orchstra in D major Performed by Nils Mönkemeyer with the Dresdner Kapellsolisten conducted by Helmut Branny · Franz Anton Hoffmeister: Concerto for Viola and Orchstra in D major Performed by Nils Mönkemeyer with the Dresdner Kapellsolisten conducted by Helmut Branny · Franz Anton Hoffmeister: Concerto for Viola and Orchstra in D major Performed by Nils Mönkemeyer with the Dresdner Kapellsolisten conducted by Helmut Branny · Johannes Brahms: Zwei Gesänge, Op. 91 - I. Gestillte Sehnsucht Performed by Anne Sofie von Otter, Bengt Forsberg, and Nils-Erik Sparf · Johannes Brahms: Zwei Gesänge, Op. 91- II. Geistliches Wiegenlied Performed by Anne Sofie von Otter, Bengt Forsberg, and Nils-Erik Sparf · Henri Vieuxtemps: Souvenir d'Amérique, Variations Burlesques (Yankee Doodle), Op. 17 Performed by Timothy Ridout and Ke Ma - (arr. Frank Foerster)]]> Music Mon, 23 Jun 2025 14:10:00 +0200 0 0 Programme 104 More Viola Music 0 0 Brian Bekker full 59:02 About Music https://iono.fm/e/1566468 https://iono.fm/e/1566468
I have playing suitable music in the line of concertos with orchestra for you to get used to the sound of the instruments in their usual context, the orchestra. This was easy enough with the violin and ‘cello as these are so frequently featured as soloists that there is no shortage of material. In the case of the Viola it is rather more difficult, first to find concertos written before 1900 specifically for this unappreciated instrument. And then to find performances of these works on the Viola, as the violin and ‘cello, not content with their vast repertoire are not above borrowing from the scarce music for viola.

The two items tonight are both originals in both senses, written for and performed on the Viola.
The first is a three movement concerto by Carl Stamitz – his Viola Concerto in D Major from 1770.

Our second item is not a concerto, but a symphonic work which features a prominent viola soloist and is structured in a way that allows for virtuosic display. The work is by Hector Berlioz and is entitled Harold in Italy. The date of Composition is 1834. It was inspired by Lord Byron's poem "Childe Harold's Pilgrimage." The four sections are entitled
I. Harold in the Mountains - Andante – Allegro
II. The Pilgrims Procession – Allegretto
III. Serenade of an Abruzzian Highlander - Allegro assai
IV. The Robbers Orgies - Allegro frenetico Carl Stamitz - Viola Concerto in D Major from 1770. Performed by Tabea Zimmermann with the European Union Chamber Orchestra conducted by Dimitri Demetriades · Carl Stamitz - Viola Concerto in D Major from 1770. Performed by Tabea Zimmermann with the European Union Chamber Orchestra conducted by Dimitri Demetriades · Carl Stamitz - Viola Concerto in D Major from 1770. Performed by Tabea Zimmermann with the European Union Chamber Orchestra conducted by Dimitri Demetriades · Hector Berlioz - Harold in Italy from 1834. Performed by Juryi Bashmet with the Moscow RTV Symphony Orchestra I. Harold in the Mountains - Andante – Allegro · Hector Berlioz - Harold in Italy from 1834. Performed by Juryi Bashmet with the Moscow RTV Symphony Orchestra II. The Pilgrims Procession – Allegretto · · Hector Berlioz - Harold in Italy from 1834. Performed by Juryi Bashmet with the Moscow RTV Symphony Orchestra IV. The Robbers Orgies - Allegro frenetico]]> Music Mon, 16 Jun 2025 08:22:00 +0200 0 0 Programme 103 – Viola Concertos 0 0 Brian Bekker full 1:06:47 About Music https://iono.fm/e/1564142 https://iono.fm/e/1564142
We will listen to No. 3, Primavera Porteña – Spring.
We are going to continue with the second concerto for piano by Brahms in which the cello plays a very prominent role in the third movement. Listen to its warm and sonorous tone as it contrasts to and supports the piano.
After that we come to two shorter pieces for cello and piano, both quite well known, and both of which are also arranged for other instruments and instrumental combinations.

In the first, Jules Massenet’s Méditation from Thais, you will hear once again how the cello sings with its warm tone.

In the second, Gabriel Fauré’s – Élégie, the cello is very suited to this dramatic and mournfully reflective composition. An Elegy is a song of Mourning as one contemplates the nature of mortality.

We end our programme with a composition by Cesar Franck, his Sonata in A, which has also been arranged for various instruments. It is in four movements, and the last of the four is particularly interesting. It is an elegant and masterful example of cyclic form, where earlier thematic material from the preceding movements is woven into the finale. But what makes this movement particularly interesting is its extensive use of imitation and canon which is a compositional technique rooted in Baroque traditions, where one voice (instrument) states a theme and another follows in imitation. The movement begins with a graceful, lyrical theme played in canon between the cello and piano. The piano introduces the theme, and the cello quickly follows with the same theme, offset by a short time interval, creating a layered, imitative texture. Astor Piazzolla - Las 4 Estaciones Porteñas (The four seasons of Buenos Aires) No. 3, Primavera Porteña – Spring (Arr. J. Bragato for Piano Trio) Performed by Friedemann Eichhorn, Julius Berger and José Gallardo · Johannes Brahms - Piano Concerto No. 2 in B-Flat Major, Op. 83_ III. Andante Performed by Maurizio Pollini and Robert Scheiwein with the Wiener Philharmoniker conducted by Claudio Abbado · Jules Massenet - Thaïs Méditation (Arr. for Cello & Piano) Performed by Yo-Yo Ma and Kathryn Stott · Gabriel Fauré - Élégie, Op. 24 Performed by Jacqueline du Pré and Gerald Moore · César Franck - Sonata in A Major for Violin and Piano, FWV 8 Performed by Yo-Yo Ma and Kathryn Stott · César Franck - Sonata in A Major for Violin and Piano, FWV 8 Performed by Yo-Yo Ma and Kathryn Stott · César Franck - Sonata in A Major for Violin and Piano, FWV 8 Performed by Yo-Yo Ma and Kathryn Stott · César Franck - Sonata in A Major for Violin and Piano, FWV 8 Performed by Yo-Yo Ma and Kathryn Stott ]]> Music Sun, 08 Jun 2025 20:20:00 +0200 0 0 about Music – the Art of Listening. Programme 102 More Romantic Cello Music 0 0 Brian Bekker full 58:33 About Music https://iono.fm/e/1562009 https://iono.fm/e/1562009 Today we continue our series in which we will explore in depth the various instruments that are used in the orchestra. By in depth I mean that we will listen to a substantial amount of music for each instrument, focusing on them one by one. We continue with part 2 of the other leader of the orchestra, the Violincello.

The ‘cello is one of the most celebrated instruments in the world, known for its unique voice, versatility, and expressive power.

Today’s three concertos are:
Edward Elgar – Cello Concerto in E Minor, Op. 85 (1919
Notable for: Quiet grief and noble reflection.
Listen for: The haunting opening solo, the sudden mood shifts between melancholy and determination, and the tender farewell at the end.
Camille Saint-Saëns – Cello Concerto No. 1 in A Minor, Op. 33 (1872)
Notable for: Effortless elegance with virtuosic flair.
Listen for: How the concerto starts with the solo cello immediately—no orchestral prelude. Notice the playful exchanges in the middle section.
Antonin Dvořák – Cello Concerto in B Minor, Op. 104 (1895) the third movement
Notable for: Lyrical, grand, and deeply personal.
Listen for: The poignant farewell in the finale. Edward Elgar - Cello Concerto in E Minor, Op. 85 Performed by Yo-Yo Ma with the London Symphony Orchestra conducted by André Previn · Edward Elgar - Cello Concerto in E Minor, Op. 85 Performed by Yo-Yo Ma with the London Symphony Orchestra conducted by André Previn · Edward Elgar - Cello Concerto in E Minor, Op. 85 Performed by Yo-Yo Ma with the London Symphony Orchestra conducted by André Previn · Edward Elgar - Cello Concerto in E Minor, Op. 85 Performed by Yo-Yo Ma with the London Symphony Orchestra conducted by André Previn · Camille Saint-Saëns - Cello Concerto No. 1 in A Minor, Op. 33 Performed by Yo-Yo Ma with the Orchestre National de France conducted by Lorin Maazel · Antonín Dvorák - Cello Concerto in B Minor, Op. 104, B. 191_ III. Finale. Allegro moderato Performed by Yo-Yo Ma with the Berlin Philharmonic Orchestra conducted by Lorin Maazel ]]> Music Mon, 02 Jun 2025 14:56:00 +0200 0 0 Programme 101 Violincello Concertos Part 2 0 0 Brian Bekker full 1:05:41 About Music https://iono.fm/e/1559806 https://iono.fm/e/1559806
Today we continue our series in which we will explore in depth the various instruments that are used in the orchestra. By in depth I mean that we will listen to a substantial amount of music for each instrument, focusing on them one by one.

We continue with the other leader of the orchestra, the Violincello.
The ‘cello is one of the most celebrated instruments in the world, known for its unique voice, versatility, and expressive power.
Robert Schumann – Cello Concerto in A Minor, Op. 129 (1850)
Composer: Robert Schumann (1810–1856), German Romantic composer known for poetic and deeply personal music.This concerto is introspective and lyrical rather than showy; written in one continuous movement subdivided into three sections.

Joseph Haydn – Cello Concerto No. 1 in C Major, Hob. VIIb:1 (c.1761–65)
Composer: Joseph Haydn (1732–1809), known as the "Father of the Symphony" and "Father of the String Quartet." Lost for nearly 200 years, this work is full of elegance, charm, and classical clarity. Joachim Rodrigues - Concierto de Aranjuezfor Guitar and ‘Cello Performed by Stjepan Hauser and Petrit Çeku with an unnamed orchestra · Robert Schumann - Cello Concerto in A Minor, Op. 129 Performed by Yo-Yo Ma with the Symphonieorchester des Bayerischen Rundfunks conducted by Sir Colin Davis · Robert Schumann - Cello Concerto in A Minor, Op. 129 Performed by Yo-Yo Ma with the Symphonieorchester des Bayerischen Rundfunks conducted by Sir Colin Davis · Robert Schumann - Cello Concerto in A Minor, Op. 129 Performed by Yo-Yo Ma with the Symphonieorchester des Bayerischen Rundfunks conducted by Sir Colin Davis · Joseph Haydn - Cello Concerto No. 2 in D Major, Hob. VIIb_2 Performed by Yo-Yo Ma and the English Chamber Orchestra conducted by José-Luis Garcia · Joseph Haydn - Cello Concerto No. 2 in D Major, Hob. VIIb_2 Performed by Yo-Yo Ma and the English Chamber Orchestra conducted by José-Luis Garcia · Joseph Haydn - Cello Concerto No. 2 in D Major, Hob. VIIb_2 Performed by Yo-Yo Ma and the English Chamber Orchestra conducted by José-Luis Garcia]]> Music Mon, 26 May 2025 14:21:00 +0200 0 0 Programme 100 Violincello Concertos Part 1 0 0 Brian Bekker full 1:00:00 About Music https://iono.fm/e/1557483 https://iono.fm/e/1557483 Today’s easy listening is a selection of music for Violin and for Guitar.
We open with Johan Svendsen’s - Romance, Op. 26 and next up I have what is reputed to be the all-time favourite movement from a violin concerto – the slow movement from Max Bruch’s - Violin Concerto No. 1 in G Minor. If you listened to our programme on Monday evening three weeks ago you would have heard the full concerto. We then started a new series which will feature all the instruments of the orchestra in the coming weeks, so the violin music tonight compliments Monday’s programme with some different aspects of the violin. I know you’re going to love this one!
We follow with two pieces by Pablo de Sarasate, - Danzas Españolas, Op. 21 - Malagueña and Habanera.
My next morsel for you is by Dmitri Shostakovich – three Pieces for 2 Violins & Piano - Gavotte, Elegy, and Waltz.
Astor Piazzolla is best known for his Libertango and that is in the next group, preceded by Oblivion and followed by his Ave Maria. These feature violin and guitar. Then a Hommage to Astor Piazzolla, written by Jean-Marie Lemarchand, a Tango, which features the violin with two guitars.
Our second-to-last item is Joseph Suk’s - Love Song, Op. 7 No. 1, and that is followed finally by an item from Peter Warlock’s Capriol Suite. Johan Svendsen - Romance, Op. 26 Performed by Henning Kraggerud with the Malmo Symphony Orchestra conducted by Bjarte Engeset · Max Bruch - Violin Concerto No. 1 in G Minor, Op. 26_ II. Adagio Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Pablo de Sarasate - Danzas Españolas, Op. 21 - Malagueña and Habanera Performed by Julia Fischer and Milana Chernyavska · Pablo de Sarasate - Danzas Españolas, Op. 21 - Malagueña and Habanera Performed by Julia Fischer and Milana Chernyavska · Dmitri Shostakovich - Pieces for 2 Violins & Piano (Arr. by Lev Atovmyan) - Gavotte, Elegy, and Waltz. Performed by Julia Fischer, Kirill Troussov, and Henri Bonamy · Dmitri Shostakovich - Pieces for 2 Violins & Piano (Arr. by Lev Atovmyan) - Gavotte, Elegy, and Waltz. Performed by Julia Fischer, Kirill Troussov, and Henri Bonamy · Dmitri Shostakovich - Pieces for 2 Violins & Piano (Arr. by Lev Atovmyan) - Gavotte, Elegy, and Waltz. Performed by Julia Fischer, Kirill Troussov, and Henri Bonamy · Astor Piazzolla - Oblivion, Libertango, and Ave Maria Performed by Sara Chenal & Olivier Pelmoine · Astor Piazzolla - Oblivion, Libertango, and Ave Maria Performed by Sara Chenal & Olivier Pelmoine · Astor Piazzolla - Oblivion, Libertango, and Ave Maria Performed by Sara Chenal & Olivier Pelmoine · Jean-Marie Lemarchand - Hommage à Astor Piazzolla II. Tango Performed by Sara Chenal, Olivier Pelmoine and Matthias Collet · Joseph Suk - Love Song, Op. 7 No. 1 Performed by David Oistrakh & Vladimir Yampolsky · Peter Warlock - Capriol Suite: 5. Pied-en- l'air Performed by Nicholas Kraemer with the Academy of St Martin in the Fields conducted by Sir Neville Marriner ]]> Music Mon, 19 May 2025 14:45:00 +0200 0 0 Programme 99 More Violin Music. 0 0 Brian Bekker full 59:01 About Music https://iono.fm/e/1554632 https://iono.fm/e/1554632 In our third set of violin concertos we listen to Vivaldi and Beethoven. By this stage you may have noticed that all of the concertos in our series have had three movements in the quick, slow, quick pattern. This is the usual format of the concerto genre, regardless of the instrument the concerto was written for. Usually the first movement has a structure called Sonata form, and the final movement has a structure called Rondo. We did explore both of these in earlier programmes, so you might already be familiar with them. I will say more about these in the next weeks as we look at other instruments.

Vivaldi’s "Spring" from The Four Seasons
In "Spring," Vivaldi captures the joyful awakening of the natural world through the violin’s bright, lively voice. Birdsong, flowing streams, and gentle breezes are all painted vividly by the soloist’s brilliant, playful passages. It’s a perfect example of the violin’s ability not just to sing, but to vividly tell a story and bring scenes of life to the listener’s imagination.

Beethoven’s Violin Concerto in D major, Opus 61
Beethoven’s Violin Concerto stands as a pillar of the violin’s repertoire, known for its grandeur, elegance, and deep inner serenity. It asks the violinist not only for technical mastery but for a profound sense of musical wisdom, blending effortless lyricism with passages of thoughtful, almost meditative beauty. It shows the violin as both a storyteller and a philosopher. Antonio Vivaldi: Violin Concerto No. 1 in E Major, RV 269 La primavera Performed by Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Stacey Watton, Maarten Jansen, Liz Kenny, & Jan Jansen · Antonio Vivaldi: Violin Concerto No. 1 in E Major, RV 269 La primavera Performed by Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Stacey Watton, Maarten Jansen, Liz Kenny, & Jan Jansen · Antonio Vivaldi: Violin Concerto No. 1 in E Major, RV 269 La primavera Performed by Janine Jansen, Candida Thompson, Henk Rubingh, Julian Rachlin, Stacey Watton, Maarten Jansen, Liz Kenny, & Jan Jansen · Ludwig van Beethoven - Beethoven_ Violin Concerto in D Major, Op. 61_ I. Allegro ma non troppo Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Ludwig van Beethoven - Beethoven_ Violin Concerto in D Major, Op. 61_ I. Allegro ma non troppo Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Ludwig van Beethoven - Beethoven_ Violin Concerto in D Major, Op. 61_ I. Allegro ma non troppo Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan]]> Music Sun, 11 May 2025 20:03:00 +0200 0 0 Programme 98 Violin Concertos Part 3 0 0 Brian Bekker full 59:47 About Music https://iono.fm/e/1552211 https://iono.fm/e/1552211 Today we have part two of a series in which we will explore in depth the various instruments that are used in the orchestra. By in depth I mean that we will listen to a substantial amount of music for each instrument, focusing on them one by one.

We are busy listening to the leader of the orchestra, the Violin.
We are about to listen to two more concertos for violin as we continue to become really familiar with the sound and range of possibilities of this instrument. For today I would like you to take note of a feature of most concertos, namely the cadenza, as we listen to Mozart’s concerto. This is an opportunity for the soloist to show their skill while the orchestra remains silent. Sometimes the composer wrote this part, and often the composer left it to the performer to improvise their own. In this particular recording the cadenza is by the soloist, by Itzhak Perlman, and it occurs towards the end of the first movement. Both the other movements also feature short cadenza-like passages towards the end of the movements.
Mozart’s Violin Concerto No. 5 in A major, K. 219 ("The Turkish")
Mozart’s Violin Concerto No. 5 sparkles with youthful charm and inventive spirit. It highlights the violin’s playful grace and natural singing quality, moving from poised, elegant melodies to a lively, rhythmically charged "Turkish" section that adds surprise and drama. It’s a wonderful showcase of how lightness and virtuosity live together in the violin.

Tchaikovsky’s Violin Concerto in D major, Opus 35
Tchaikovsky’s Violin Concerto is a thrilling celebration of passion and virtuosity. From the opening bars, it demands emotional intensity and breathtaking agility from the soloist. The violin soars, dances, and weeps throughout, embodying the full power of Romantic expression — a dazzling display of the instrument’s ability to move and astonish an audience. Wolfgang Amadeus Mozart: Violin Concerto No. 5 in A Major, K. 219 “Turkish” Performed by Itzhak Perlman with the Wiener Philharmoniker conducted by James Levine · Wolfgang Amadeus Mozart: Violin Concerto No. 5 in A Major, K. 219 “Turkish” Performed by Itzhak Perlman with the Wiener Philharmoniker conducted by James Levine · Wolfgang Amadeus Mozart: Violin Concerto No. 5 in A Major, K. 219 “Turkish” Performed by Itzhak Perlman with the Wiener Philharmoniker conducted by James Levine · Pyotr Ilyich Tchaikovsky: Violin Concerto in D Major, Op. 35 Performed by Janine Jansen with the Mahler Chamber Orchestra conducted by Daniel Harding · Pyotr Ilyich Tchaikovsky: Violin Concerto in D Major, Op. 35 Performed by Janine Jansen with the Mahler Chamber Orchestra conducted by Daniel Harding · Pyotr Ilyich Tchaikovsky: Violin Concerto in D Major, Op. 35 Performed by Janine Jansen with the Mahler Chamber Orchestra conducted by Daniel Harding]]> Music Sun, 04 May 2025 15:53:00 +0200 0 0 Programme 97 Violin Concertos 0 0 Brian Bekker full 1:06:06 About Music https://iono.fm/e/1550317 https://iono.fm/e/1550317 Today we embark on a new series in which we will explore in depth the various instruments that are used in the orchestra. By in depth I mean that we will listen to a substantial amount of music for each instrument, focusing on them one by one.
We start with the leader of the orchestra, the Violin.
The violin is one of the most celebrated instruments in the world, known for its brilliance, versatility, and expressive power.
Mendelssohn’s Violin Concerto in E Minor.
A perfect example, this work that captures everything the violin does best: soaring lyrical lines, sparkling agility, and moments of breathtaking tenderness, all woven into a seamless, flowing conversation between soloist and orchestra. In just a single piece, the violin moves from whispered beauty to triumphant brilliance, showing why it has held the spotlight for centuries.
Max Bruch’s Violin Concerto No. 1 in G minor
Bruch’s Violin Concerto No. 1 is often called one of the most beloved works in the violin repertoire. It perfectly captures the instrument’s deep emotional range, moving from dark, yearning melodies to moments of radiant, heartfelt beauty. In this concerto, the violin seems to sing directly to the listener, carrying rich Romantic expression with both warmth and nobility. Felix Mendelssohn: Violin Concerto in E Minor, Op. 64 Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Felix Mendelssohn: Violin Concerto in E Minor, Op. 64 Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Felix Mendelssohn: Violin Concerto in E Minor, Op. 64 Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Max Bruch: Violin Concerto No. 1 in G Minor, Op. 26 Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Max Bruch: Violin Concerto No. 1 in G Minor, Op. 26 Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan · Max Bruch: Violin Concerto No. 1 in G Minor, Op. 26 Performed by Anne-Sophie Mutter with the Berliner Philharmoniker conducted by Herbert von Karajan]]> Music Mon, 28 Apr 2025 07:48:00 +0200 0 0 Programme 96 Violin Concertos Part 1 0 0 Brian Bekker full 1:00:00 About Music https://iono.fm/e/1548306 https://iono.fm/e/1548306
Edward Elgar - Nimrod (Lux Aeterna)
A calm beginning

J.S. Bach – Jesu, Joy of Man’s Desiring
Familiar and graceful, this brings a quiet sense of hope.

Gabriel Fauré – Pavane Opus 50
Light and melodic, full of elegance and calm beauty.

Ludovico Einaudi – Primavera (7:00)
A gentle piano piece that stirs the heart, like spring awakening.

John Rutter – The Lord Bless You and Keep You
A short and heartfelt choral blessing, comforting and tender.

George Butterworth – The Banks of Green Willow
Pastoral and flowing, evoking English countryside in spring.

Morten Lauridsen – Nocturnes III Sure On This Shining Night
Lush harmonies and text that speaks of quiet wonder.

G.F. Handel – I Know That My Redeemer Liveth from Messiah HWV 56, Pt. 3_ No. 45, Aria
Uplifting and deeply rooted in Easter’s message of hope and renewal.

Eric Whitacre – Lux Aurumque
Peaceful—glowing, soft light in sound form.

Ola Gjeilo – Ubi Caritas
A serene, modern choral piece with a warm, embracing tone.

Franz Schubert - Ave Maria, Op. 52 No. 6, D. 839
A most relaxing and pleasing song, sung by the inimitable Barbara Bonney
John Rutter - This joyful Eastertide
The perfect ending Edward Elgar - Nimrod (Lux Aeterna) Performed by VOCES8 · J.S. Bach – Jesu, Joy of Man’s Desiring Performed by the Tabernacle Choir at Temple Square & Orchestra at Temple · Gabriel Fauré – Pavane Opus 50 Performed by the Boston Symphony Orchestra and the Tanglewood Festival Chorus conducted by Seiji Ozawa, · Ludovico Einaudi – Primavera (7:00) Performed by Ludovico Einaudi and the Royal Philharmonic Orchestra conducted by Robert Ziegler · John Rutter – The Lord Bless You and Keep You Performed by the Cambridge Singers and the City of London Sinfonia conducted by John Rutter · George Butterworth – The Banks of Green Willow Performed by the Academy of St Martin in the Fields conducted by Sir Neville Marriner · Morten Lauridsen – Nocturnes III Sure On This Shining Night Performed by Polyphony and the Britten Symphonia conducted by Stephen Layton · Handel – I Know That My Redeemer Liveth from Messiah HWV 56, Pt. 3_ No. 45, Aria Performed by Kiri Te Kanawa and the Chicago Symphony Orchestra conducted by Sir Georg Solti · Eric Whitacre – Lux Aurumque Performed by the Eric Whitacre Singers · Ola Gjeilo – Ubi Caritas Performed by VOCES8 · Franz Schubert - Ave Maria, Op. 52 No. 6, D. 839 Performed by Barbara Bonney and Geoffrey Parsons · John Rutter - This joyful Eastertide Performed by the Cambridge Singers conducted by John Rutter]]> Music Mon, 21 Apr 2025 06:56:00 +0200 0 0 about Music Programme 95 Easter at Home 0 0 Brian Bekker full 1:00:08 About Music https://iono.fm/e/1546249 https://iono.fm/e/1546249
Edward Elgar (1857–1934)
Enigma Variations, Op. 36 – 14 variations each portraying a friend of the composer

Antonín Dvořák (1841–1904)
Symphonic Variations, Op. 78 – a richly orchestrated and well-developed variation set

Dvořák and Elgar infused variation form with National Identity and Orchestral Color, cultural and personal identity.
The theme is used as mirror, not only transformed musically but emotionally and socially.

Bohemian composer Antonín Dvořák brought it to the orchestra with his Symphonic Variations—a colorful and inventive work that dances, sighs, and sings.

Meanwhile, in England, Edward Elgar took a deeply personal approach. Elgar’s Enigma Variations personalize the theme; each variation is a vignette.His Enigma Variations are portraits of his friends, each one full of character, wit, and affection. Together, they form a musical scrapbook of human connection.

Please come and join me for the music! Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Edward Elgar - Variations on an Original Theme, Op. 36 Enigma Performed by the Wiener Philharmoniker conducted by John Eliot Gardiner · Antonín Dvořák - Symphonic Variations, Op. 78 Performed by the NDR Elbphilharmonie Orchester conducted by Sir John Eliot Gardiner · Frédéric Chopin - Chopin Nocturne Op. 9 No. 2 in E Flat Major Performed by Jan Lisiecki]]> Music Sun, 13 Apr 2025 15:09:00 +0200 0 0 Programme 94 Dvorak and Elgar Variations Programme description 0 0 Brian Bekker full 1:00:06 About Music https://iono.fm/e/1543904 https://iono.fm/e/1543904 Brahms, as arguably the closest follower of Beethoven in the Romantic period, wrote many sets of variations as did Beethoven.

Today we listen to his variations on themes of Paganini, Schumann, and Haydn, including the first set of Variations written for orchestra that was stand-alone (meaning, not part of a longer work.) Johannes Brahms - Variations For 4 Hands On A Theme By Schumann, Op. 23 Performed by Aloys Kontarsky and Alfons Kontarsky · Johannes Brahms - Variations on a Theme by Robert Schumann, Op. 9 Performed by Simon Trpčeski · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - Variations on a Theme of Paganini, Op. 35 Performed by Evgeny Kissin · Johannes Brahms - St Anthony Variations, Op. 56a (Haydn Variations) Performed by the Berliner Philharmoniker conducted by Claudio Abbado ]]> Music Mon, 07 Apr 2025 04:41:00 +0200 0 0 about Music Programme 92. Brahms Variations 0 0 Brian Bekker full 1:12:24 About Music https://iono.fm/e/1540517 https://iono.fm/e/1540517
We also start with Schumann today: the piece Widmung, or Dedication. It was a wedding gift to his wife, the pianist Clara Wieck , when they were married on September 12th 1840. This piece is a special kind of variation, as it was originally for voice, but Liszt took the melody and reworked it for a wonderful piano solo. Franz Liszt - Liszt_ Grandes Études de Paganini, S. 141_ No. 6 in A Minor Performed by Daniil Trifonov · Robert Schumann - Widmung (transcribed by Franz Liszt) Performed by Evgeny Kissin · Robert Schumann - Theme and Variations on the name 'Abegg,' Op. 1 Performed by Evgeny Kissin · Robert Schumann - Andante & Variations for 2 Pianos, 2 Cellos & Horn Performed by Vladimir Ashkenazy, Malcolm Frager, Barry Tuckwell & Amaryllis Fleming · Sergei Rachmaninoff - Rachmaninoff_ Rhapsody on a Theme of Paganini, Op. 43_ Introduction – Variations 1-24 Performed by Vladimir Ashkenazy and the London Symphony Orchestra conducted by André Previn ]]> Music Wed, 26 Mar 2025 19:35:00 +0200 0 0 about Music Programme 91. Schumann, Liszt, and Rachmaninov Variations Programme description 0 0 Brian Bekker full 1:00:39 About Music https://iono.fm/e/1539332 https://iono.fm/e/1539332
In today’s programme there are another three works. Two major items and then another shorter work to conclude.

The first big work is Rachmaninov’s Variations on a theme of Paganini.
Then we hear Liszt's "Variations on a Theme by Paganini, S. 161" (also known as "Paganini Etudes")

To round out our programme today we have a very famous Etude by Liszt entitled “Un Sospiro”

Don’t miss this virtuosic programme, featuring some of the repertoires most difficult music to perform. Sergei Rachmaninoff - Rhapsody on a Theme of Paganini, Op. 43_ Introduction – Variations 1-24 Performed by Vladimir Ashkenazy with the London Symphony Orchestra conducted by André Previn · Franz Liszt - Grandes Études de Paganini, S. 141_ No. 1 to 6 Performed by Daniil Trifonov · Franz Liszt - Grandes Études de Paganini, S. 141_ No. 1 to 6 Performed by Daniil Trifonov · Franz Liszt - Grandes Études de Paganini, S. 141_ No. 1 to 6 Performed by Daniil Trifonov · Franz Liszt - Grandes Études de Paganini, S. 141_ No. 1 to 6 Performed by Daniil Trifonov · Franz Liszt - Grandes Études de Paganini, S. 141_ No. 1 to 6 Performed by Daniil Trifonov · Franz Liszt - Grandes Études de Paganini, S. 141_ No. 1 to 6 Performed by Daniil Trifonov · Franz Liszt - 3 Études de Concert, S. 144 No. 3 in D-Flat Major: Un sospiro Performed by Daniil Trifonov ]]> Music Mon, 24 Mar 2025 07:08:00 +0200 0 0 Programme 90 Liszt and Rachmaninov Variations on a theme of Paganini. 0 0 Brian Bekker full 1:00:40 About Music https://iono.fm/e/1537263 https://iono.fm/e/1537263
Three sets are by Beethoven, based on God Save the King, Rule Britannia, and one of his themes.

The other major work today is Brahms’ Theme and Variations on a theme of Handel’s.

This, along with my comments are designed to give you an insight into this centuries old structure, popular with audiences, composers and performers alike for hundreds of years! Rudolf Buchbinder & Ludwig van Beethoven - Beethoven_ 7 Variations on God Save the King in C Major, WoO 78 · Rudolf Buchbinder & Ludwig van Beethoven - Beethoven_ 6 Variations on an Original Theme in F Major, Op. 34 · Murray Perahia & Johannes Brahms - Händel Variations, Op. 24 · Rudolf Buchbinder & Ludwig van Beethoven - Beethoven_ 5 Variations on Arne's Rule Britannia in D Major, WoO 79]]> Music Mon, 17 Mar 2025 06:15:00 +0200 0 0 Programme 89: Beethoven and Brahms Variations. Programme 0 0 Brian Bekker full 1:00:25 About Music https://iono.fm/e/1532464 https://iono.fm/e/1532464
Variation techniques allow a composer to demonstrate creativity, technical skill, and emotional range. Elaboration and contrast as well as emotional progression, but with structural unity, is a primary objective. In this regard Variations are like a much extended development section of a Sonata form.
Beethoven was especially prolific and heavily influenced later composers as we will see in Schumann’s Symphonic Etudes today. Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Ludwig van Beethoven - 15 Piano Variations and Fugue in E flat, Op. 35 “Eroica Variations” Performed by Alfred Brendel · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich · Robert Schumann - Symphonic Etudes, Op. 13 Performed by Ivo Pogorelich ]]> Music Sun, 02 Mar 2025 18:54:00 +0200 0 0 about Music: The Art of Listening Programme 88. Beethoven and Schumann Variations. 0 0 Brian Bekker full 59:56 About Music